A collaboration
by Carlos Andrade and Todd Ayoung October 6 - November
4 "What is left over,"
is the result of a common interest by Andrade and Ayoung in mass-media
representations of natural disasters. The exhibition is built around
two disturbing images of the aftereffects of an earthquake.
What
is left over - oktober 2000
Pressrelease
Hysterics
of the World Unite! By Blake Stimson

North
Udstillingssted is pleased to present new work by New York based Colombian
artist Carlos Andrade and Trinidad born American artist Todd Ayoung.
These
images form the basis of two large installation works at North's main
room and inspire a third in North Udstillingssted's second gallery. The
first of these works, titled "Night of the World," is a sculptural installation
combining several different elements including Columbian-manufactured
reproductions of the ice bags used to cover and preserve the corpse of
an earthquake victim seen in one of the two photographs. The other installation,
titled "Substance is Subject," is a viewer-activated slide projection
of a building "pancaked" by an earthquake. Both works invite the viewer
to experience the representation of these tragedies in a more complex
and more direct manner than is available in the original news reports
In
North Udstillingssted's second room, Andrade and Ayoung have constructed
ten relief sculptures collectively titled "Untitled Commandments." Each
individual piece measures 10" X 10" X 3" and is made of plastic toys made
in China and Columbia melded together with heat. These works are also
inspired by the artists' interest in images of natural disasters, but
with no reference to any specific situation. Each individual sculptural
component was conceived of as a laboratory experiment that created a small-scale
disaster in a controlled environment. The disaster theme is expanded and
made more complex in these works by the inclusion of another sculptural
motif: attached to each of the ten works are one or more scale reproductions
of the rural Montana, USA shack lived in by the so-called "Unabomber,"
Theodore Kaczynski. This reference adds an element of perverse contradiction
to the whole trajectory of the exhibition by prompting the viewer to question
the hard distinction between natural and man-made disasters, between earthquakes
and ecoterrorism.
There will be a CD catalog available featuring sounds from natural disasters
compiled by sound artist Robert Gould and essays by art historian Blake
Stimson and museum curator Betti-Sue Hertz.
The
artists would like to thank North Udstillingssted, especially Kim Asbury
for making this exhibition possible and Carsten Juhl of The Royal Academy
for making it possible for us to come to Copenhagen.
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